The Sunday Night Depression Session
If you spent your Sunday night watching Part One of the A&E Biography on the Von Erichs, I hope you had a stiff drink and a box of tissues handy. This wasn't exactly 'Stone Cold' Steve Austin drinking beers and flipping birds. It was a 236,000-person wake for the greatest dynasty that never quite made it out of the 1980s alive.
The ratings are in, and the show averaged 236,000 viewers with a 0.05 rating in the 18-49 demographic. Now, some TV executives might look at those numbers and shrug, but in the niche world of wrestling documentaries on a Sunday night in April, it’s a solid showing. It’s certainly enough to prove that despite decades of tragedy, the Von Erich name still has a gravitational pull that rivals the moon.
We are talking about a family that was essentially the Beatles of Texas. If you weren’t there in the early '80s at the Sportatorium in Dallas, it is almost impossible to describe the absolute mania. These kids were beautiful, they were athletic, and they were pushed as the ultimate wholesome American heroes by a father who was as complicated as a Gordian knot.
The Sportatorium Ghost Stories
Part One of this documentary did a masterful job of setting the stage before the floor dropped out. You had the footage of the Sportatorium, which, let’s be honest, looked like a building that was one bad cigar spark away from a total inferno. But that was the charm. It was loud, it was sweaty, and it was the center of the wrestling universe for a few glorious years.
The documentary focused heavily on the rise of the brothers: David, Kevin, and Kerry. It’s easy to forget just how good they were in the ring before the wheels fell off. Kevin was the barefoot freak of nature, Kerry had the 'Modern Day Warrior' look that would make a Greek statue jealous, and David was the one everyone whispered was the real deal. He was the one destined to take the NWA World Heavyweight Championship from Ric Flair.
But then we get to the Japan trip in 1984. The documentary doesn't shy away from the gut-punch that was David Von Erich’s death in a Tokyo hotel room. It’s the moment the 'Curse' narrative officially begins, even if the family tried to outrun it for another decade. The footage of Fritz Von Erich announcing the death to a stunned crowd is still one of the most chilling things ever captured on film.
The Problem with the 'Curse' Narrative
Here is my one major gripe with A&E’s approach: they are leaning into this 'Curse' title a little too hard. The episode was literally titled 'The Curse of the Von Erichs, Part 1.' Calling it a curse feels like a lazy way to ignore the reality of a high-pressure environment, possible substance abuse, and the staggering weight of expectation placed on these boys by Fritz.
Fritz Von Erich is often portrayed as the grieving patriarch, but let’s call a spade a spade here. He was a man who saw his sons as extensions of his own failed ambitions. When one brother went down, he just plugged the next one into the slot like he was changing a lightbulb. It’s hard to watch the archival footage of Fritz and not feel like the 'Curse' was actually just a byproduct of a very broken system of parenting and business.
The pacing of Part One felt a bit rushed once they got into the mid-80s. We jumped from the high of the Freebirds feud—which is still the gold standard for tag team rivalries—to David’s funeral in what felt like twenty minutes. You could have done an entire four-hour block just on the psychology of that Freebirds feud alone. Instead, we got the CliffNotes version so we could get to the tragedy quicker.
The Iron Claw Afterglow
It’s clear that A&E is capitalizing on the massive success of the 'The Iron Claw' movie from a couple of years back. That film brought the Von Erich story to a whole new generation of fans who probably thought the 'Iron Claw' was just something MJF did as a tribute. The movie gave Kevin Von Erich, the lone survivor, a victory lap he richly deserved.
Seeing Kevin on screen in this documentary, now an older man living in Hawaii, is the only thing that keeps this from being a total descent into darkness. He seems at peace, which is a miracle given what he’s walked through. His sons, Marshall and Ross, also make appearances, and it’s heartening to see that the family name is being carried on by two guys who seem to have their heads screwed on straight.
Marshall and Ross have been grinding on the independent circuit and in MLW for years, and they carry that same physical presence their uncles had. They’ve managed to avoid the pitfalls that swallowed their father’s generation. If there is a silver lining to this entire saga, it’s that Kevin survived to see his kids flourish without the crushing weight of the Sportatorium on their backs.
What to Expect from Part Two
If you think Part One was a downer, strap in for May 3. Part Two is going to cover the deaths of Mike, Chris, and Kerry. It’s going to be brutal. We’re going to see the fall of World Class Championship Wrestling and the eventual absorption of the family legacy into the WWE machine. It’s the part of the story that doesn’t have many highlights, just a lot of 'what ifs.'
The audience of 236,000 will likely grow for Part Two. People have a morbid curiosity about the Von Erichs that never seems to fade. We want to know how a family that had everything—the looks, the money, the fans, the talent—could lose it all in the span of a single decade. It’s a Shakespearean tragedy played out in spandex and cowboy boots.
The reality is that the Von Erichs were a perfect storm. They were the right family in the right territory at the right time. But they were also the victims of a business that didn't have any safety nets. This A&E series is a necessary reminder of the human cost of the industry we love. It's not just about the big pops and the title wins; it's about the people who get left behind when the lights go out.
Ultimately, Part One was a reminder that for a brief moment in the early '80s, the Von Erichs were the center of the universe. They didn't just wrestle; they were icons. And even though only one of them is left to tell the story, those 236,000 viewers prove that the world isn't ready to stop listening yet. Just make sure you're ready for the emotional wreckage that's coming next Sunday.