The dusty finish that has everybody talking

If you spent three minutes in the squared circle corner of the web this morning, you know the vibe. Naraku earning a shot at Tony D'Angelo for the top strap is the only thing moving the needle, but it wasn't the wrestling that had people throwing their phones across the room. It was that Kam Hendrix interference at the end of the match.

You either love a good screwjob or you think it’s a tired trope pulled straight from the 1988 playbook. Everyone has a keyboard opinion on this one. The reactions are pouring in faster than a cheap beer at a stadium concession stand.

The Pro-Naraku camps and the skeptics

Some fans are riding the wave of pure heel heat. They argue that Naraku needed that nudge to reach the main event level. One user noted that it’s simply smart business for a talent like Naraku to let the heavy lifting be done by a wildcard like Hendrix. They think the story beats make perfect sense for building tension toward the Great American Bash.

On the other hand, the cynics are out in full force. They are pointing to the fact that Naraku's win over the competition felt hollow. A few posters on the boards are already calling it a "booking cop-out" that drags down the prestige of the championship match. They wanted a clean finish to prove Naraku is worthy of standing toe-to-toe with the Don.

Is the interference actually a problem

Let's strip away the noise for a second. Is the outrage justified? Often, when a match ends in a distraction, people treat it like the sky is falling. If the booking team builds toward a payoff where Tony D'Angelo gets his receipts, the shortcut becomes a plot device rather than a crime.

However, we have to call a spade a spade. NXT has leaned heavily into these interference spots lately. If you run the same playbook every Tuesday, the crowd gets conditioned to ignore the actual in-ring psychology. Watching a guy get a title shot after a match that barely finished keeps the ceiling low for the contender.

The verdict on the Great American Bash road map

Here is where I land in the weeds with you lot. The match at the Great American Bash needs a stipulation now. If you put D'Angelo and Naraku in a standard one-on-one contest, the shadow of Hendrix is going to loom until the opening bell rings. A cage match or a submission-only affair would shut the skeptics up real quick.

My gripe with the finish is simple: we were promised a high-stakes contender spot. We got a mid-card distraction that felt recycled. It wasn't the worst execution, but it didn't do much to solidify Naraku as a legitimate threat to hold the gold for 30 days or more.

We are looking at a classic divide in modern grappling discourse. One side wants the cinematic, soap opera style. The other wants a stiff, clean finish where the best wrestler climbs the mountain. Hendrix acting as a catalyst for a title match creates drama, but it creates a paper-thin champion if the narrative keeps protecting them from clean losses.

I’m betting the heat is intentional. If Naraku plays the smug, undeserving challenger, he gains more crowd resentment than he would from a clean victory. That is the oldest trick in the business. It’s effective, but it relies heavily on the audience not getting bored of the formula before the event actually arrives.

At the end of the day, the championship hunt is meant to be a gauntlet. If the challenger bypasses the fire by using a bodyguard to snuff out the lights, the story needs to address it specifically. If we don’t get a confrontation or a beatdown by the time the next bell rings, the booking team is just spinning their wheels. The clock is ticking toward the Bash, and that match better be a barn burner to make up for the way we got here.